The very last thing a sound mixer desires to do is separate the human voice from the rustling, clanking, jiggling accouterments of dramatic exercise. Loud issues—similar to handcuffs—are changed by convincing however silent rubbery props. Scott Reeder explains:
There’s an organization that makes vinyl grocery baggage. … We will not have pool balls rattling round behind a scene so we got here up with an answer: painted raquetballs.
The Prop Master seems like it should be an enchanting channel.